Sep
08

“Interview with André Cognard (3),” by Stanley Pranin

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“Kobayashi Sensei feared that the Osaka Buikukai would be completely re-incorporated by the Aikikai and that his aikido would disappear amongst the large numbers of Aikikai practitioners.”

André Cognard was born in France in 1954. He was 17 years old when he started teaching aikido to adults, by opening five dojos in several cities in France. Four years later, he received the French state diploma for teaching judo, aikido, karate and kendo. In 1973 he met Hirokazu Kobayashi Sensei (1929-1998), a direct disciple of O-Sensei Morihei Ueshiba. After twenty-five years of practice under Kobayashi Sensei, André Cognard was designated Kobayashi Sensei’s successor as head of the Kokusai Aikido Kenshukai Kobayashi Hirokazu Ryu Ha. In 1982 he founded the Académie Autonome d’Aikido, where aikido is taught by traditional means as well as with theoretical support from psychology, philosophy, and western and eastern medicine. In 2003, he opened in Bourg Argenal, France, the Kobayashi Hirokazu Kinen Aikidojo, traditional dojo devoted to his master and venue for the Instructors Training Courses. Cognard Sensei directs Aikido and Aikishintaiso seminars worldwide, and he is the author of several books on martial arts. He is also one of the highest-ranking representatives of the Dai Nippon Butoku Kai: the title of Hanshi was bestowed upon him in April 2012, at the Fourth World Butoku Sai held at the Butokuden in Kyoto, Japan.

Click here to read Part 1 of this interview
Click here to read Part 2 of this interview

Around 20 years ago, we did an interview with Nariyama Tetsuro Sensei. Do you know him?

Yes, he was in Osaka. He was also on both sides. He was with Tomiki Sensei and Kobayashi Sensei. He worked with both. He was in between the two. Kobayashi Sensei liked him, at one point. I think from 1980 Nariyama leaned toward Tomiki Sensei and took a little more distance from Kobayashi Sensei. Up until then, he was really on one side and the other.

Apparently he was in the circle of Kobayashi Sensei’s more advanced… What Nariyama Sensei said is Kobayashi Sensei complained because Tomiki Sensei added competition in aikido.

Yes, he couldn’t bear the idea of competition. He said that it didn’t make sense. He upheld the idea that aikido was a traditional budo, and in budo there is no competition. It was unbearable to him, but he truly respected Tomiki Sensei.

It seems that he arranged for Tomiki Sensei to present his theories during a conference for college students. I was very surprised.

Yes, I don’t have precise information about the conference, but I know he really helped Tomiki Sensei introduce his style in the universities. That was really his spirit. He’d say, “Every style should be entitled to exist.” He was willing to help anyone as long as they said they practiced aikido and O-Sensei was their reference. I know he helped him. I saw some Japanese teachers several times, I can’t remember their names… We’d go to Shodoshima where there was a dojo in a small minshuku, ryokan. The innkeeper’s name was Masuda san. When you’re in Shodoshima, and you get to Tonosho, there is a famous statue of liberty with children. In the street that runs parallel to the port, there was an inn. We’d go there. There was a small dojo in it. And there was another dojo on the hill. It was the innkeeper, Masuda san, who gave us access to that old dojo. We met two groups there a few times, a Kobayashi Aikido university group and a group that practiced Tomiki Ryu.

In the evening we ate with the Tomiki Ryu master, it was cordial, very friendly. I went to a few classes of these masters to see, understand what they were doing.

andre-cognard-pt3-03Did you ever meet Tomiki Sensei?

No, never unfortunately.

Kobayashi Sensei first went to Europe in 1973?

No, the first time he went to Europe was in 1964.

On what occasion?

It seems he went to Europe at the request of O-Sensei. To tour and see where the development of aikido stood.

His first seminar was at Mayerling in Switzerland. It was mainly Interpol people even if there were some dojos involved, it was mainly the police. I know he met Tamura Sensei with whom he was very friendly. They were very close. I think he also went to Annecy, where there was Nakazano Sensei and Noro Sensei, he saw them there. He also saw Noro Sensei in Paris. He went to see Mister Naessens in Brussels. Noro Sensei often went to see Naessens in Brussels.

Then there was O-Sensei’s death. He came back in 1971.

Nobuyoshi Tamura meeting Hirokazu Kobayashi in Europe

Nobuyoshi Tamura meeting Hirokazu Kobayashi in Europe

When he started going there regularly did he meet other Japanese masters living in Europe?

Yes, he would meet with Tamura Sensei, for instance. I was with him when he gave seminars to Tamura Sensei’s students. Tamura Sensei would invite him and he’d give the course to Tamura Sensei’s alumni.

Did he consider him as a senpai? Tamura Sensei?

Yes, Tamura Sensei considered Kobayashi Sensei as his senpai. He showed him friendship, and a lot of respect. The relationship was very clear. Up, down. Tamura Sensei was a charming man, very nice and with Kobayashi Sensei he was great. In 1984, when I opened a dojo in Lyon, we organized a seminar with Kobayashi Sensei. I invited Tamura Sensei for the celebration. He agreed and came immediately. They spent evenings laughing and talking. It was very friendly, very warm hearted. It was a beautiful relationship, a relationship of true friendship.

And in Italy for example, was Tada Sensei still there?

At the beginning Tada Sensei was still there. I don’t know if he met him in Italy. There was a practitioner in Italy, Mr. Kawamukai. He did some aikido in college. He wasn’t a great expert. He had practiced very little. He came to Italy… it was for his father’s work essentially.

That’s why he came. He opened a few Kobayashi style Aikido classes and that’s how Kobayashi Aikido began in Italy.

In Milan?

Essentially Milan. There was Mr. Filippini. Did you ever hear that name?

I know it.

Giovanni Filippini had a dojo in Segrate, the suburbs of Milan. He had made requests for seminars. That’s how it started.

Kobayashi Sensei held Tada Sensei in high esteem, very high. Saying he was very upright, a real Gishi, a righteous man. He greatly admired him for his integrity and his loyalty. It was someone he referred to in a very positive way. There were some people like that, whose names I often heard him say, I think I’ve mentioned them all.

Kobayashi Sensei practiced at Hombu Dojo for a few years? In the 50s…

Yes, at the beginning.

He went to Osaka in 1954. He moved to Osaka. So if he was in Tokyo, he might have learned a lot from Kisshomaru Sensei and Tohei Sensei. He always spoke of Tohei Sensei. He found Kisshomaru Sensei’s aikido uninteresting.

I would assume that he studied something in Tokyo during that time.

Yes, I think so.

Maybe he knew Nishio Sensei.

Nishio Sensei of aikido, who was a karateka as well? Yes, of course.

Hirokazu Kobayashi throwing André Cognard

Hirokazu Kobayashi throwing André Cognard

Did he have contacts with other aikido Shihan? Was he close to any of the members of the group in Tokyo?

I do not know. With me, he always mentioned the same ones. The people he appreciated were Tohei Sensei, Yamaguchi Sensei, though he did not like his style, but he thought he was a good person and his aikido was interesting because he was mobile and flexible. He loved Tadashi Abe, that’s certain, Saito Sensei because he was righteous, strict and rigorous. But who were the people with whom he had a friendship? I know Kuniba Sensei from karate; he lived in California, and was also O-Sensei’s student at a time. I met Kuniba Sensei in France. At the time there was a very good karate practitioner in France. His name was Patrick Tamburini. He was a disciple of Kuniba Sensei. One day, Kobayashi Sensei and I were in St. Etienne and he told me that Kuniba Sensei was coming. Kobayashi Sensei said: “He’s really my friend, you’ll go and see him, you’ll go and talk to him.” So I went to meet Kuniba Sensei and immediately he asked me if I could translate his class because no one else could. And then we went to eat together. When I told him that I was a student of Kobayashi Sensei, he cried. He said that Kobayashi Sensei was his friend. “We’d ride our motorbikes together, we liked the same girls. We got into all sorts of mischief together.” He was a remarkable man.

At the end of Kobayashi Sensei’s life, he knew he was going to die, didn’t he?

Yes. In any case, he spoke to me about it directly.

I think I read it in an interview. He created mechanisms so that his aikido and this tradition continued in the future. This is very interesting. Can you explain a little?

I think the current situation was exactly like his own. On the one hand, he was loyal to Japan and the Ueshiba family and on the other he was free. Long before his death, when he first talked to me about it in 1988, I had taken him to Egypt. We fulfilled old dreams. He had told me that O-Sensei had said, “What is in Egypt is of interest to all mankind, I would have liked to see it. I’m too old, but if you went I would be happy because I’d see it through your eyes.” When he’d tell me a story like that my reaction was to say, “Sensei, let’s do it!” So we went to Egypt. In 1988, we were having dinner in Luxor and he started talking to me about his death. He said, “You know, no one is eternal and I have to think about what will happen after I’m dead. I do not intend to die, but we need to start talking about it.” “Why now?” “I think O-Sensei missed his transmission. I think O-Sensei failed his transmission.”

hirokazu-kobayashi-andre-cognard-throw2It was too late and for him the Doshu should have been Tohei Sensei. He even went so far as to tell me that O-Sensei had told him so, but then there had been disputes, things that made it impossible for it to be Tohei Sensei. And so he said: “I do not want to do the same thing. So I want to think about it beforehand.” And I think the structure he put in place coincides exactly with his experience. In Japan, there is the Buikukai with people like Yabuchi Sensei, Kimura Sensei. They are there and they are maintaining the Buikukai in Osaka and developing it. Then there is our organization that Kobayashi Sensei was a part of – Kokusai Aikido Kenshukai Kobayashi Hirokazu Ryu Ha. He created this organization and immediately entrusted me with its leadership.

Its creation was formalized in 1998 because he had said, “we must wait and we must not do it too soon.” He did not want to have too many problems, a backlash. It was not until almost the last moment, in 1998, that we made it official. When it was formalized he said, “I do not want to be the Saiko Shihan (highest-ranking instructor), you will be the Saiko Shihan.” We said: “So what is your place?” We proposed Soshu because if we had proposed the idea to Doshu it could have been misinterpreted and created tensions. He agreed. At the inception there were 7 of us. Salvadego Shihan – my student in Italy; Jean-Pierre Giraud from Lyon who was a student of mine who lived in Japan and was very close to Sensei in Japan; Frédéric Huet, who is one of my oldest students and who currently lives in Indonesia, and is in charge of the Indonesian group; Walter Oeschläger a German from Stuttgart who was close to Sensei. He was really good friends with Sensei. He would go to his house; it was very cordial, very friendly; and André Macario who is one of my oldest students. He has been following me since 1976. I think that’s it; I was the last one. We officially met for the first time in November 1997 and in January 1998 to clarify things. We met again in April to review everything we had planned. Sensei designed the crest. He used the same red cross he had used in Osaka – with “Kokusai Aikido Kenshukai”, “Kenshukai” so as not to be in opposition with the Aikikai and because in Kenshukai there is an idea of research.

Were the official documents created in French, but also in Japanese? And were there other languages, German?

No, it is not translated into German, but it was agreed from the outset that there were two official languages, French and Japanese. For us it is a complex position because we are implicitly challenged by certain people in the Buikukai and at the same time we are implicitly recognized because they know perfectly well who I am. They don’t contest my position with Kobayashi Sensei, so it is a bit ambiguous.
I’m trying to develop a lot, I’m growing faster than them, but at the same time for me there is no opposition, no rivalry. What Kobayashi Sensei said works for me, that is to say, if someone met him 5 minutes and exchanged sincerely, with deep emotion and that person makes an account of it, I find it interesting. Even I am ready to listen because I’m interested. I believe that every disciple has a very personal, unique and individual relationship with his master. So every time we meet someone who can tell us a story that reveals an aspect of the master we did not know, it’s interesting. Primarily, I think what we have to convey is the feeling of being. And to have access to this feeling of being you must first experience the feeling of existence and how exchanges are created between us. I’m interested in his experiences with everyone. I don’t contest anyone’s position, but I claim mine. With the same spirit Sensei showed me. I think his aikido can grow. I think it contributes something very interesting. I really believe so. He feared what actually did happen, and I think that’s why he set up this device. He feared that the Osaka Buikukai would be completely re-incorporated by the Aikikai and that his aikido would disappear amongst the large numbers of Aikikai practitioners. He really dreaded it. He told me, “I’m counting on you for it to continue to exist.”

Did he have a family?

Yes, he had a wife and five children. He had four daughters. I say had because one died young – she died when she was still a teenager. The first is named Kimako, she lives in Belgium. Eriko his second daughter died prematurely. She died quite young, she was 15 or 16 years old. Usako still lives in Osaka, I see her regularly, she remained close to her mother until her death. Mrs. Kobayashi died last December. I saw her just before. I went to see her at the right time, she died a few days later. Usako has two daughters, Chihiro, who looks like her grandfather and Nao. Usako and her daughter Chihiro have been regularly practicing aikido for years. Then there was his son Kazuo, who never practiced aikido, and his last daughter Tomomi. She practiced aikido when she was in college. She came to France with her father, and Europe. Now she is married.

andre-cognard-bokkenDo you think you have enough information to write a biography?

No, I couldn’t. I do not think I have the means to do the research or the time. When I write, I write at night. In hotels, on airplanes, because I’m constantly working. I travel all the time. Today, I’m here, tomorrow I’m going home, the next day I am going to Italy, and then I go back to France to train teachers. Then I’ll go to London, where we have a meeting with the Dai Nippon Butokukai. I go home for two weeks, and then I’m leaving for Japan. When I return from Japan, I come back on a Thursday, Friday I have a seminar in Germany. The next week I have a course in Moscow and in between I am in Kiev. Early December I return to Japan. Early January I’m in India. It never stops, in April, I’ll be in Japan again. I go to Japan 3 or 4 times a year. I also come back to the United States in January. I’m always on the move, always. And when I’m in France, I also teach. So we have constant activity. I made the commitment to develop Kobayashi Sensei’s aikido. I’m keeping it, I’m trying to keep it alive.

We would like to acknowledge the assistance of Andrea Debiasi for his role in organizing and editing this interview for publication on Aikido Journal.


[Read more...]

Sep
07

Ki Aikido and the Legacy of Shizuo Imaizumi Shihan

Aikido Journal will shortly release a new course titled “Ki Aikido and the Legacy of Shizuo Imaizumi Shihan”. Shizuo Imaizumi is one of the top students of the famous Koichi Tohei Sensei, the founder of Ki Aikido. Imaizumi Sensei has an incredible mastery of Tohei’s Ki Aikido and was a shidoin at the Aikikai Hombu Dojo for many years until Tohei’s departure in 1974.

This course includes modules on Ki Aikido, Ki No Taiso, Aikido Principles, and a lengthy interview of Imaizumi Sensei by Aikido Journal Editor Stanley Pranin.

Sep
05

Preserving the elasticity of the hip and knees: “Advantages of seiza and shikko in the eyes of a physiotherapist,” by Bartłomiej Gajowiec

The hips are the key to those answers in aikido, as a martial art. As we sit in seiza, the hips control the pelvic girdle while in a relaxed position. And as we know, the pelvis is the basic supporting structure of the spine. If the spine rests upon a correctly positioned pelvis, it will not need much effort to remain vertical, harmonious and balanced…

Click here to watch video

Sep
05

Reconfigure your hands… “Put your hands in hanmi!” by Stanley Pranin

If the technique being practiced involves a hand grab — either katatedori or ryotedori — nage generally offer their hands without giving much thought to the positioning or configuration of the hands. In the same way that we hope to gain an advantage in an encounter by adopting a hanmi stance, we may also be able to leverage that advantage even further by considering the possible hand configurations…

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Sep
05

Deception unbalances uke: Cristina Nagai Sensei’s hand switch!

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“Setting up your uke yields dividends!”

I quite by chance came across this video clip of Cristina Nagai Sensei of Brazil here. [Facebook unfortunately does not allow me to embed this video here.]

In this short video, you will see her offer her hand straight forward to uke in a natural way. As uke approaches to grab her hand in morotedori — the two-handed grab — she drops her forearm leaving it in a vertical position. Uke, intending to grab the extended hand, must on the fly adapt to the new arm configuration he is presented with. In doing so, he loses his balance. Nagai Sensei then enters to execute a hip throw taking advantage of uke being in an off-balanced position.

Yesterday, I uploaded the video below which presents a similar theme.

I show an entirely different hand maneuver, but the concept is the same. Nage changes the configuration of his hand/arm on the fly which causes uke to attempt to adapt to a new situation. In the process, he loses his balance. From there, it is easy for nage to complete the technique without using force.

Another interesting thing is that Nagai Sensei takes a small step to the right leading with her rear foot as part of the setup. In my video, I end up doing exactly the same thing. These are powerful concepts, and by applying them, you can totally transform your aikido!

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Click here for detailed information on Stanley Pranin's Zone Theory of Aikido Course

Sep
03

Everybody has a plan until they get punched in the face… “Reality- based” Martial Arts Not So Reality-based? by Wayne Muromoto

Challenge matches between different martial arts stylists, any contest in a ring with rules and regulations, fist fights in the back of the high school gym, bitch slapping festivals in the girls’ bathrooms, or barroom brawls are not combative. They are, as Miller says in his books, examples of the “monkey dance.” You know: two or more apes puff out and slap their chests, bang the floor, hoot and holler over who’s the baddest dude in the tribe, and then start shoving and hitting each other for more access to food, booze, mates and/or status…

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Sep
03

Weapons in Aikido… To do or not to do? Morihiro Saito’s “Aiki Ken and Aiki Jo”!

Do you practice aikido? Does your training include weapons? An argument has persisted for decades about whether or not weapons practice has a place in aikido. What are the opinions for and against? Where did the founder of aikido stand on the issue?

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Stanley Pranin of Aikido Journal answers all of these questions in this informative video. He provides some historical background and explains the reasoning for the two major viewpoints on this subject. Also, several videos of Morihiro Saito explaining and demonstrating the Aiki Ken and Jo are presented.

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Sep
02

No rational discussion possible! Aikidoka: “The Apologetic Martial Artists,” by Stanley Pranin

For years I have heard a vociferous chorus of naysayers lambasting aikido as an “ineffective” martial art. Even among those who practice aikido, one can hear criticism of aikido’s techniques as unrealistic. I confess that I too have been among those who have lamented much of what goes on in aikido dojos all over the world, as misdirected and contrary to the basic principles of the art…

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Sep
02

Bequeathed by the Founder: Morihiro Saito’s “Aiki Ken and Aiki Jo” Online Course in 20 modules!

These are the aikido sword and staff forms taught by Morihiro Saito, 9th dan. Aikido Founder Morihei Ueshiba spent many years studying these weapons — called the Aiki Ken and Jo — at his country retreat in Iwama during and after World War II.

Morihiro Saito was one of the Founder’s most talented students. Saito lived in Iwama and devoted himself to aikido training at the side of Ueshiba Sensei for over 20 years. Due to the severe conditions existing after the war, the Founder had few students during this period. As fate would have it, the responsibility for preserving, systematizing, and disseminating Morihei Ueshiba’s weapons practices fell to Saito Sensei.

Added to the hundreds of empty-handed techniques of aikido, these ken and jo practices combine to form a cohesive, content-rich curriculum.aiki-jo-promo2-02-aj

The “Aiki Ken and Aiki Jo Course” consists of 20 video modules available for online viewing and downloading. The first section of the course includes Saito Sensei’s instructional videos that cover all of the fundamental weapons exercises and forms.

The second section consists of instructional and demonstration footage that record the evolution of Saito Sensei’s ken and jo practices over a 30-year period. You will see many clips such as these spanning the years from 1964 through 1993.

It’s fascinating to watch the evolution of these beautiful weapons forms as revealed in this rare footage of Morihiro Saito.

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Sep
01

Innovative Founder… An Overview of Aikido History, by Stanley Pranin

It is difficult to appreciate the uniqueness of modern aikido without an understanding of its extraordinary founder, Morihei Ueshiba. This innovative man presents a challenge to historians not simply because he lived in an earlier age very different from our own-he was unusual even for his time and cultural context. His esoteric views were heavily influenced by the doctrines of the Omoto religion and are barely comprehensible to modern Japanese. The challenge faced by foreign aikido devotees who hope to absorb the founder’s philosophy is made even greater by the formidable barrier of the Japanese language. The task would be seemingly hopeless were it not for the aikido techniques themselves, which offer everyone an avenue of approach to the essence of the art, irrespective of language or culture…

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Sep
01

10 Kumijo… Morihiro Saito’s “Aiki Ken and Aiki Jo” Online Course in 20 modules!

In addition to the paired jo forms that accompany the 31-jo kata, Morihiro Saito Sensei assembled 10 kumijo for partner practice and demonstrations. These kumijo were based on partial movements he learned from O-Sensei in Iwama. Here are some examples.
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The kumijo — as all weapon forms — require great caution during practice. The maai or combative distance changes rapidly when 2 partners use a ken and jo which extend their reach. Saito Sensei always emphasized safety in training both when practicing taijutsu or weapons.

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Sep
01

Noma Dojo photos: “Gateway to Modern Aikido”

“This photo collection is the most complete record of Morihei Ueshiba’s prewar art and represents a transition phase between Daito-ryu Aikijujutsu and modern aikido”

In 1936, more than 1,000 technical photos of Aikido Founder Morihei Ueshiba were taken at the private dojo of publishing magnate Seiji Noma.

This collection of rare photos were taken with an expensive Leica camera by Noma’s son Hisashi, one of the top kendo champions of the era.

Morihei’s uke in all of the photos was devoted student Shigemi Yonekawa a martial artist of great talent and stalwart of the Kobukan Dojo of the Founder.

This photo collection is the most complete record of Morihei Ueshiba’s prewar art and represents a transition phase between Daito-ryu Aikijujutsu and modern aikido.

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