The article below has been selected from the extensive archives of the Online Aikido Journal. We believe that an informed readership with knowledge of the history, techniques and philosophy of aikido is essential to the growth of the art and its adherence to the principles espoused by Aikido Founder Morihei Ueshiba.
Roppo can be understood in a variety of ways, such as the roppo of roppogumi [six groups of chivalrous young men who used to wander the city streets in the Edo period]. Or it can be equated with the roppo from the kabuki term roppo o fumu of Benkei [a priest of the early Kamakura period and a famous retainer of Yoshitsune Minamoto. Roppo o fumu means to make one’s exit with bold gestures along the runway]. However, I usually compare roppo to gaming dice to describe techniques which can deal with any situation from any direction, top or bottom, front or back, right or left, like the faces of dice. But these techniques do not have square angles like dice but are round, forming six (roku) infinite circles. I am eager to get as many meanings as I can out of the term.
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