The article below has been selected from the extensive archives of the Online Aikido Journal. We believe that an informed readership with knowledge of the history, techniques and philosophy of aikido is essential to the growth of the art and its adherence to the principles espoused by Aikido Founder Morihei Ueshiba.
Morihei was in Engaru on business, staying at the Hisada ryokan (inn), when he happened to encounter Sokaku Takeda of Daito-ryu jujutsu, in what was to be a strange turn of the wheel of fortune. Morihei first heard of Sokaku Takeda from a sumo wrestler of ozeki rank he met at the Kitami pass en route to Asahikawa and with whom he stayed at an inn in Shirushibe.

How many times do you find people who say, Aikido has everything you need in a martial art? Obviously, looking at the history of aikido, and various training that the highest teachers of aikido practice might have experienced, this is not true. In their youth, all students try different martial arts, and gain a variety of skills, if not from training in martial arts, then from experiences of their life, and their everyday humdrum lives. Everything you do while being alive is some sort of training, more or less.
“Aikido is a Budo (martial art) created by Morihei Ueshiba. After the Founder’s passing in 1969, his son Kisshomaru Ueshiba was inaugurated as Aikido Doshu. At present, Moriteru Ueshiba, grandson of the Founder, has succeeded his father as Aikido Doshu. The Aikikai Foundation, officially recognized by the Japanese government in 1940, was founded in order to preserve and promote the ideals of the true Aikido created by the Founder. As the Aikido World Headquarters, it is the parent organization for the development and expansion of Aikido throughout the world.”
Brian Kagen is an avid web researcher with a particular interest in martial arts. His training background includes both judo and aikido. He has contributed hundreds of article links over the years for AJ readers.
“There are martial artists every day who achieve their 1st Dan grade. This is usually the time where one is given the “magical black belt”. Does it all stop here? Is there more to do after this point, or can one quit, thinking to themselves that they are now masters of their art.”
“One of the salient points that I emphasise is that our bodies (spine) should ideally be centered between our two feet. This creates an equilateral triangle. This in an ideal position in which our bodies can receive and channel forces without having to compensate by moving our bodies. However, we sometimes look to create other types of triangles for specific purposes. The basic body movement in funakogi undo and ikkyo undo teaches us to shift our bodies forwards and backwards while learning how to equalize force as though our bodies are in an equilateral triangle position.”
“All the teenagers present, myself included, were captivated by the marvelous display of dynamic techniques replete with joint-locks and spectacular falls the likes of which they had never before witnessed. Since I regarded myself as rather weak physically, this strange oriental fighting art instantly captivated my imagination and visions of an all-powerful warrior (me!) repelling multiple attackers with the mere flick of a wrist lept tantalizingly into my mind. More than just casually interested in this mysterious art, several days later I went with a few equally curious schoolmates to the nearby dojo where aikido was practiced for a first-hand look.”
“A preview trailer for the upcoming documentary exploring the cultural history, rediscovery and modern revival of E.W. Barton-Wright’s “New Art of Self Defence”. Founded in London in 1899, Bartitsu was an early example of a mixed martial art, combining boxing, jiujitsu, savate and self defence with a walking stick. After a brief heyday, it was all but forgotten throughout the 20th century except for a single cryptic reference in Sir Arthur Conan Doyle’s Sherlock Holmes story, “The Adventure of the Empty House.”