“In a slightly musty gym in the Cairo suburb of Heliopolis, three young women in head scarves are learning how to defend themselves.
Their teacher, a huge man in loose black trousers and a white tunic, is instructing them in the finer points of Aikido, a Japanese martial art.”
Brian Kagen is an avid web researcher with a particular interest in martial arts. His training background includes both judo and aikido. He has contributed hundreds of article links over the years for AJ readers.

A bit of exciting news! We are well along in the preparation of a new and historically important book on aikido titled Aikido Pioneers. Let me tell you a bit about this project. Built on the foundation of the now out-of-print Aikido Masters, this new title includes extensive interviews with 20 of the most prominent figures in aikido history. All direct students of the Founder Morihei Ueshiba, these early disciples were eyewitnesses and participants in the creation of the genial art of aikido. The list of those interviewed who appear in Aikido Pioneers to share their stories reads like a Who’s Who of Aikido: Noriaki Inoue, Kenji Tomiki, Hisao Kamada, Hajime Iwata, Minoru Mochizuki, Shigemi Yonekawa, Rinjiro Shirata, Gozo Shioda, Yoshio Sugino, Kiyoshi Nakakura, Takako Kunigoshi, Zenzaburo Akazawa, Bansen Tanaka, Tenryu, Kisshomaru Ueshiba, Minoru Hirai, Koichi Tohei, Kisaburo Osawa, Shigenobu Okumura and Kanshu Sunadomari. These interviews were conducted by AJ Editor Stanley Pranin in Japan over a 25-year period. The 20 painstakingly edited interviews fill more than 350 pages of fascinating reading. Aikido Pioneers will certainly constitute one of the most valuable resources on aikido history published to date.
“The last column was actually an extended review of several books on kotodama, thought to be one aspect of aikido. Since then, another book has appeared and this, too, is immensely relevant to aikido and especially to aikido training. Ellis Amdur’s Hidden in Plain Sight has been long awaited and even in the short time since its publication, has spawned much discussion in Internet forums, mostly of a laudatory, even adulatory, nature.”
“On the tatami, as far as I am concerned, words only serve as lying to oneself and others by deforming the reality of the movement. It also follows the principles of Chinese whispers; the teacher says something that a student will interpret and then try to explain to his partner because he noticed (rightly or not) a mistake. Then the partner will not necessarily understand this correction and might even be offended by it. It basically complicates what we already feel through the technique.”
“On one of their scrolls from their mokuroku, they have a technique called Kin Katsugi. This is one of their advanced techniques. Imagine my surprise when it was simply jodan tsuki koshinage as we have it in Aikido. This really got my brain running.”
The article below by contributor
“…[I]t is clear that Aikido does use physical force. No matter how gentle or efficient our technique, to the extent to which we use any physical pressure on uke’s body, we are using some measure of force. The ‘official’ purpose in an Aikido technique is to not be violating or abusive, and it is fair to say that most Aikidoka in fact are not intending to violate or abuse, though of course there are violent Aikidoka. There remains the issue of whether the force used in Aikido is damaging and whether the force is meant to be damaging.”
“Aikido practice is so devoted to the here and now that we have a hard time thinking farther ahead than to the next step of the technique we are involved in at the moment. That’s as it should be. When the mind leaves the present, we risk stumbling on the aikido technique and losing control of it.
“There was a time when it was commonly accepted that the Sun rotated around the Earth. Such thinking is born out of our ego, and it is also reflected in our Aikido techniques whenever we attempt to drag our opponents around.”
“They are some pair, these guys. One has Parkinson’s disease, the other cerebral palsy. One has hands that shake uncontrollably, the other has arms that give him power. One teaches martial arts across from the firehouse in this quaint town. The other learns martial arts from a wheelchair.